It Doesn´t Take A School

Fist of Fury
Originally uploaded by Jam Adams

Today´s visit to Heureka children´s science centre reminded me that many character problems start occurring way before school. It does not take a school to create a bully.

I was playing with these gigantic soft building blocks with my 3-year-old nephew when this approximately 5-year-old kid turned up - with his Mom. He started ripping toys from my nephew, got intentionally on his way in the slide and spent most of his time just beating stuff up.

I gave him nasty looks so he understood to move away but he kept testing the limits. The mother was standing next to this kid, checking her mobile and flicking through the photos on the digital camera. The kid kept running around, jumping recklessly on the pillows and destroying the constructions built by others. The mother witnessed the situation but did not act upon it. The kid had a similar look in his eyes as the jerk sergeants during my military service. He knew he was feared - and was loving it.

I can´t see into this mother´s head. But I can´t accept her actions. Maybe she was just glad of her child not being the "weak" one being bullied. But without intervening she was teaching her son that this kind of action is OK with strangers. She was teaching her son that this is how you get things through.

The situation made me sick and I lured my nephew out of the room with the power of ice cream. The mother was upholding the "boys are boys"/"real men" attitude, which prevents boys from going to hobbies such as dancing, makes them scared of showing weakness or sadness and locks them up in tightly framed expectations where violence is the only allowed method of proving your masculinity.

Connecting The Dots

~ The American Dream
Originally uploaded by Mackeson

Last weekend I met my great aunt for the first time. There is a reason why: she left Finland in 1957 first to the United Kingdom and then continued to the United States. She was telling me how it is still difficult to connect the dots between the Finland then and Finland now. She left a country of muddy roads and arrived to one of Nokia, to put it bluntly.

I was struck by the Finland she was telling me about. She told about a school that did not accept her due to her religion. She left a country traumatised by war and where she was told several times that she did not belong. She left the country and her family for a better life, with no knowledge of English and no relations waiting in the other end.

The reasons for migration have not really changed in 50 years. But it seems to surprise some people here in the receiving nations that millions decide to leave all they have for a chance of a better life. People risk everything they love for some undefined dreams. For a promise with no money-back guarantee. It seems to surprise people even when the story can be found from each family.

It is surprising and - honestly - disappointing how we here, in a country that has transformed from a departure country to a receiving country, have continuing difficulties to comprehend that the people wanting to move to Finland share largely the reasons of those relatives of ours who left for Sweden, Germany, UK or the US. Paradoxically the other group - the ones who left - are portrayed as heroes when the the others - the ones arriving - are characterised as social bums. It is not only my great aunt who has difficulties connecting dots. Making this historical link might help understanding the transformation we are in as nations.

Something else has also stood the test of time: desire. Most people are not striving for something bizarre and condescending like tolerance and understanding. They are seeking for voting rights, good future for their children, a home, a job and some friends. Not tolerance but bread and freedom.

Oops, I think I just defined the American Dream.

StrangerFestival 2009 is looking for video artists and professionals to conduct video workshops!

StrangerFestival is an international festival for young videomakers & fans and is an initiative of the European Cultural Foundation. In collaboration with our partners we will organize video workshops in more than 15 countries for young people in summer 2009. Do you wanna come and help us out?





For the StrangerAcademy we are looking for video artists and professionals who can come up with a concept and conduct one of the 3-day video workshops or want to be a professional in the LAB assisting the advanced participants in realising their assignment.

An important part of StrangerFestival is the website, www.strangerfestival.com, which is a living archive of videos sent in to our competition.

From 14-17 October 2009 StrangerFestival will take place in Amsterdam in Studio K, consisting of the 3-day StrangerAcademy for creative young video makers (14-16 October), the StrangerExpert meeting for professionals in the field of media and youth (16 October) and the StrangerAward Ceremony and closing party (17 October). Young video makers and professionals from all over Europe and beyond will get together during these days and participate in the workshops and expert meetings offered during the event.

StrangerAcademy will be a place where more than a hundred and fifty young video makers between 15-25 years old from all over Europe can develop their video making skills.

The StrangerAcademy will be divided into two levels: beginners and advanced. For beginners we will offer several 3-day workshops where the planning is set from beginning to end so the participants have a fixed schedule where they are guided step by step making sure they create new work, learn the basics of video making and get the opportunity to work closely with each other.

For the advanced participants the approach will be different. We will create a LAB, a creative space, where technical equipment, professionals in editing, filming, sound, concept building etc. are present to assist the participants in making their video. Certain renowned organisations will give these participants the assignment to make a video for the company which the participants need to finish within the three days.

If you are interested in conducting a workshop keep this in mind when writing your application:
• The budget for this year’s StrangerFestival is very limited.
• ECF will take care of all technical equipment and workshop space
• 3 facilitators per workshop, ECF is in a favour of workshops with a peer to peer education element
• The workshop should be easy to follow for people who do not speak English very well
• The workshop can be on any video genre (documentary, animation etc) • Workshop focus should be on skills development and collaboration between participants
• Topics should relate to StrangerFestival competition categories: about me, creative/arts, change the world.
• Results should be: new content (videos between 1-5 minutes) per participant or per team

If you are interested in being one of the professionals in the LAB this is the sort of profile we are looking for:
• (Artistic) video education background
• Good working knowledge of cameras and editing programmes
• Good knowledge of English
• Good communication skills
• Ability to work under pressure
• Flexible and willing to improvise
• Capacity and commitment to work with youngsters on an equal basis
• Sensibility to respect various cultures and group processes

If you are a workshop organiser yourself or if you know people who might be interested in this call, please forward the message. If you wish to join in, you can ask for the application form from Giusy Chierchia at gchierchia (at) eurocult.org.

It´s Live!

screenshot of Argumentti.com
Originally uploaded by amsterboy

Finally, after months of work, my company´s website is live. Thanks a lot to Sasha Huber and Kryptoniitti for the brilliant work in putting it together.

The idea for the site was to give a clear idea of my professional experience and what I wish to do in the future. It was a conscious move to make it bilingual as I want to keep on doing work both in and outside Finland and in Finnish as well as English.

10 Second Johnny

This guy on the video, Johnnydurham19, is coming in a couple of weeks to a video culture symposium at the University of Arts and Design. I will be moderating a session there - with Johnny and others - on why non-professionals make and watch videos. Should be fun. Thursday 28 May at the University of Arts and Design Helsinki.

Demos Helsinki

Demos UK, Demos Helsinki´s sister/brother/associate in London, just turned 16 and celebrated this with a new video on their focus on power and with a new website.

The Other Iran

Iran: A nation of bloggers from Mr.Aaron on Vimeo.

This video is a skillful and important reminder on how we need to make the difference between a country and its leaders and remember diversity when we talk about a country. Something to keep in mind whether we talk about Russia, the US, Iran or Finland.

It also makes me think of a book I got from Reza Abedini on Iranian contemporary graphic design. Reza´s book shows how there is another layer of graphic reality next to the government-controlled images we see in the news every day. Videos like these are truly empowering. Thanks, Charlie.

That´s Not Me

Le Chauvinist
Originally uploaded by John.P

"I am not on my way home to beat my wife but to take care of my children."

A comment thrown into the air by philosopher Jukka Relander tonight made me think. I was attending a Green Party meeting as part of a journalistic assignment and managed to catch part of the debate led by Relander who chairs the Green Men. With the comment above Relander was referring to the problem-oriented discourse on men and on something very wise said by Amu Urhonen - one of the candidates to chair the Council of the Green Party for the next two years.

Urhonen assessed that many men do not recognise themselves in the descriptions of men in political debate. Some of the roles thrown easily around are the sleazy middle-aged man and the underprivileged, alcoholic construction worker beating his wife. If a man resembles one of the groups only in terms of looks, political language forces them into a claustrophobic corner where they end up having to defend themselves against perceptions of a chauvinist and sexist cave man without any evidence that they personally would be guilty of such disapprovable action. It´s like the old tricky question:"When did you stop beating your wife?"

Most of these categorisations are done unintentionally and thrown around without really careful thinking. Urhonen reminded the Green politicians of their responsibility in choosing their words and stereotypes carefully. She managed to formulate in 60 seconds one of the core problems of the equality debate - both for women and men. I mean how many women have been pushed to choose between Virgin Mary and Maria Magdalena.

What Did You Do Daddy? from John Belflower on Vimeo.

I have been looking for a brilliant video blog and now I found it. Charlie and others have put together a great blog gathering Nubs. For those who don´t know what nubs are (me an hour ago), here´s the Make Nubs description: Nubs are short videos that explain or bring an idea to life. Check the blog for more, great stuff. For instance the Obama music video from MC Yogi is brilliant.

Gem in Kamppi

I love these moments. When you think you know your city to the last stoney and then you bump into something quite amazing. It kind of feels embarrassing to make this discovery only now but better late than never: I visited Amos Anderson´s Art Museum for the first time in my life today.

I went in due to the Riiko Sakkinen and Jani Leinonen exhibition. I was not expecting much but wanted to base my opinion - some people would say for a change - on real experience. Well, I was not blown away. The exhibition kind of demonstrates how difficult it is to shock with anything anymore. I felt I had seen this stuff before.

But taking the lift upstairs to the 5th floor made my day. Amos Anderson has made a deal with a set of corporate collections and in this manner able to bring into daylight wonderful works of artists like Magnus Enckell and Helene Schjerfbeck, which normally only decorate a company office or are locked in a safe. Of course most of the exhibition was kind of boring for anyone who has visited Ateneum but in the middle of it all were the subtle and delicate portraits of Helene Schjerfbeck and the strikingly colourfully radical Enckells of boys on a beach. Amos Anderson deserves recognition for making these works available for us all. If you ask me, Enckell and Schjerfbeck are some of the best art this little country has to offer.

A great invention for Amos Anderson is also reserving the red brick attic for contemporary art. Maiju Salmenkivi´s Pasila painting is such an explosion of colour that it made me return for a second glance. Tiina Heiska´s somehow photographic bedroom scene painting is simultaneously sad and sensual. Amos Anderson´s Art Museum shows that next to publicly funded art, this country needs also philantrophists with taste.

One Less Device in the World

italk
Originally uploaded by amsterboy

I had a big interview to do today and was about to buy a new voice recorder. Kind of came to the conclusion that the old C-cassette machine was in need of pimping up. After seeing the prices of the Olympus machines, I decided to check whether Apple would have microphones to be used in iPhone or iPod. The nice guy in the store recommended that instead of buying a microphone and a recorder, I should just download the free iTalk software from App Store.

Tested it today and it works perfectly. Sound quality is good, it does not use a lot of battery and the files are easily transported to iTunes for further use. And what is most important, I did not need to buy more gadgets as Apple and its friends had solved the issue for me - free of charge.Thank you, Mr Jobs.

We Need A Project

photo
Originally uploaded by amsterboy

I saw this fridge magnet on a notice board at the University of Arts and Design today. It was apparently a response to a request to join a project. It made me think of some meetings and seminars that I have attended where a new project seems to be the goal of the work, not actually solving a problem in the organisation.

Quick translation:
"Coupling phrases ´higher education institution´ and ´design project´ causes such a bad disgust in me already that huh-huh (editorial note: Finnish expression for exhaustion). On one hand it may up to the fact that I am myself in such a shitty school but still it makes me doubt. It feels that all the time one designs the design of design but nothing concrete or useful is never achieved. But maybe I am in a shitty school and that one is a really nice project. That´s all from me. - Paavo"

However, looking at the issue from the positive side, it is a sign of healthy self-criticism that this quote is as a reminder in the coffee room.

Argumentti.com - concepts and arguments

One - not that serious - explanation to what I do for work. This time in the form of a video. More details shortly at www.argumentti.com. Thanks for the video tip, Paul.

Stranger´s Back

Fourth day in Amsterdam. If I would need to name one thing why this city if amazing, it is its Spring. The whole city is blossoming - something that we will get only in like a month in Finland. It is clear that it is still my Second City.

I just facilitated a a great two-day meeting with TheStrangers, the advisory group of StrangerFestival consisting of young video makers. Above one of them, Nerimon, talking about what we do. After this weekend I am quite convinced that the festival will be awesome this year. The deadline for entries is 15 August but this year it is wise to upload early as one video is picked every month as a monthly winner and the maker is invited to Amsterdam.

A bit more about Amsterdam. Cycling around this city, it is easy to understand why people love it so much. I do too. Amsterdam is the best city in terms of doing things in human scale. I wish more cities could give you this amazing feeling that the city is open for you, it is there for you and it is playful.

Power of Both

This is where broadcasting meets the wonders of the Internet. Without this strong programme concept and reality television, Susan Boyle would never have emerged into the public sphere. The drama building before her singing is something that TV professionals can do so superbly. That´s talent.

But without the Internet and YouTube, Ashton Kutcher and Demi Moore would never have become fans of this English lady or she wouldn´t have become a world-wide phenomenon. Currently at 12 million hits. I love TV, I love YouTube and there´s no contradiction there. I think writing of television as a medium is just bull crap.

Made It To The Cover

Volume Magazine issue 19
Originally uploaded by amsterboy

The Dutch magazine Volume has published an article of mine on how the logic and networks of youth cultures provide an inspiring model for European cooperation. Volume is an independent quarterly for architecture to go beyond itself and is a cooperation between:
Archis Foundation, Amsterdam
AMO, Rotterdam
C-LAB, Columbia University New York

First time I made it to a cover of a magazine. Here´s a teaser on the article:

"Several youth cultures show how difference can be a prerequisite rather than an obstacle to interaction. By giving serious attention to interaction practices in transnational youth cultures we could actually find answers to many of the diversity problems with which Europe currently struggles."

Volume can be bought from selected bookstores:
Amazon
NAI Publishers
Bruil
Archis

Real TV

Some people use Easter for quieting down - I did not. In the midst of Bree van de Kamp -like cooking and baking (muffins and what have you), I managed to accidentally bump into an episode of Skins on SubTV. I had forgotten how bloody brilliant this Channel4 teenage drama actually is. Thank you, Sub, for the reruns.

Skins is amazing and quite unique as its handles teenage angst and torment in full honesty and without irony. It reminds everyone what kind of an emotional rollercoaster it is being young and there is often very little the parents can do. It reminds one of the importance of handling the emotions of teenagers with care but also shows how smart they already are. Not a kid, not an adult - Skins captures well that tripping in and out of adulthood.

Here´s a clip (Channel4/YouTube apparently does not allow embedding)from this Friday´s episode where the class practices Osama - The Musical. It shows well how frank Skins is - maybe too frank for some. The writing of this programme is quite amazing. As it was pointed out to me while watching, could you think of a US series where teenagers sing:"Then came the day Osama blew us away and now I know how I feel."

Donate Here

Some advocacy organisations just get it better than others. WWF - the people who brought us Earth Hour. Via: Deceptive Cadence.

Institution First

Day 7/365
Originally uploaded by Timo Kirkkala

Today´s Helsingin Sanomat writes that the parliamentary committee reforming the national public broadcaster YLE is most likely going to suggest that YLE will be financed in the future through a separate YLE tax. Unlike the current license fee, this compulsory tax would be collected as part of the normal tax collection. It would not go into the government´s total budget but straight to YLE. Journalist Teemu Luukka writes:"It is not likely that the committee will suggest radical changes into (YLE´s) duties."

I had yesterday lunch with a Danish friend of mine. She is one of those social entrepeneurs like me, i.e. people searching for new solutions to current problems. She said that her current interest is in using standard design techniques also for the planning of public services. This would mean bringing the problem and the end user into the core of the design process. As she pointed out, the common public service design process works like the YLE case: how do we fund an existing institution in the future.

When the design process starts from the institution, we are already kill a big majority of good ideas even before they see the light of day. When we take an institution and its current structure for granted, it is hardly surprising that we do not find very good solutions.

Everyone following media discussion today would know that public service communications needs rethinking. This is not an issue of organisational reform but an issue of citizenship - what kind of information and analysis do we need in order to play our role as citizens in a better and more informed manner? Getting stuck on the word broadcasting avoids looking into a landscape of new tasks, new actors and more flexibility. Now the fix is making a poorly functioning funding system compulsory. So it´s band aid instead of recovery process.

The private media corporations (Viestinnän keskusliitto) have been calling for Finland to follow the BBC Trust´s example in having an independent body supervising YLE. When the reform is prepared by a parliamentary committee, this is very unlikely to happen.

Although I am somewhat skeptical to the total agenda of the anti-YLE campaign of the private actors, I would strongly support an independent supervisory board. I believe it would strengthen YLE´s role as a supervisor of the ones in power, which would need to get its legitimacy not from decision makers but from people directly. It would make clearer that we as citizens have rights to proper critique and information and this might someone work against those in power. That sometimes the benefit of the state and the benefit of the people are not equal.

An independent body would also widen YLE´s stakeholder basis, help its directors in creative thinking and in the end - provide better public service media for us and help us in doing our share in a democracy better.

One More For The Road

Making mine a double
Originally uploaded by Liesel's Easel

Flying domestic is not something I do often, I think actually four times in my life if I count the return flights to Kittilä last week. And as before, flying domestic with someone non-Finnish makes one take another perspective as one tries to explain the behaviour of one´s fellow citizens.

Already on the flight to Kittilä, it was pointed out to me that the Finnair flight attendant allowed a Finnish man visibly drunk to occupy the seat in front of the emergency exit. I was informed by my company (someone who knows more about flying than anyone I have met) that this actually counts as a violation of airline protocol.

On the way back it got worse on the plane. The positive side was that we got to test the new Finnair Airbus 330-300, which will be used for flying to New York. It was the first week of the plane and things looked brilliant. The revamped Finnair colour scheme makes the cabin seem much more spacious and the new seats make you keep a good posture.

But as the plane was filled with Finns ending their one-week holiday either in Ylläs or Levi, it smelled like the empty bottle room of Alko. Big portion of the customers were visibly drunk already when boarding the plane. We actually changed our seats on the last minute due to the odour created by the people behind us. I managed to catch the frightened looked on a face of a young father who was forced to sit with his one-year-old in the middle of the Boozy Family. And the 5 euro charge for alcohol on domestic flights did not stop the people from boozing up more. I mean hey, last moment of holidays.

I am not blaming the cabin crew for slacking, I am sure they do not love the drunks in the back of the plane anymore than I do. After moving back to Finland from the Netherlands I have been in quite a number of situations where I notice how differently people and institutions tolerate overuse of alcohol in public transport, at stations not to mention restaurants. The Finnair case seems to be just another example of Finns looking the other way when the drunk is making another situation uncomfortable - or even risky as in the case of the emergency exit - for the rest of us.