Before travelling to Romania last Saturday, I did not really know what to expect. My link to the country consisted of two drastically different worlds:
-theoneminutesjr worksops with Roma children and orphans
-glossy and ambitious arts magazine Omagiu which is often praised on the European level
Well, now being back, the picture is more or less the same - as paradoxical and confused. My first observation was the overcommercialisation of the public sphere and lack of urban planning in Bucharest. Bucharest has all the means to be a beautiful city due to its historical centre. But as we drove into the city, every single wall was plastered with massive advertisements of clothing, alcohol or electronics. People had sold their view to LG and Carrefour. In the midst of sadly deteriorating old buildings rose massive skyscrapers by foreign companies. My local hosts told me that many of the old buildings - including some churches - are at risk due to to heavy construction just next to them. Due to Bucharest's location in an earthquake area, the new buildings are built on wheels that allow them to survive an earthquake. But the trembling from the movement of a skyscraper or Inter-Continental hotel means the end of the church next to it.
Bucharest's hypercapitalism is in a perverse interplay with the Communist era. In the very centre of the city you have a building planned to be the radio headquarters, which was never finished and now houses homeless people and junkies - all this covered in massive advertisement of McDonald's. This tale of two worlds really makes me sick.
But the main souvenir of this era is the second-biggest building in the world, Parliament Palace on a hill right smack in the centre. The colossal nature of the building is something you only realise when you are told to walk to the entrance of the other side of the building and it takes you 20 minutes. Ceausescu's "Taj Mahal" was supposed to host all main institutions of the Communist administration. The building with 1100 rooms hosts currently the Parliament and the Museum of Contemporary Arts amongst others.
The MNAC museum was one of the many paradoxes. The glass elevators built on the wall of the Parliament Palace look like something borrowed from the Pompidou Centre. The scale and collection of the museum competes with any respectable capital in Europe. Braco Dimitrijevic's work demystifying and challenging concepts of art was both clever, witty and aestetically superb. The massive halls allow the viewer a clean art experience.
But at the same time I was often the only visitor in each floor. From the window of this distinguished member of the global art scene I could see garbage containers at its entrance and a massive unkept field right in the middle of the city. The terrace on the roof of the building was filled with German business men. Hardly anyone spoke Romanian.
Romania leaves me with a confused but in the end optimistic feeling. In a video workshop in the beautiful Northern city of Cluj I met young people optimistic for their country. They did not want to leave for Western Europe but strived for playing a part in modernising Romania. The attitudes of the teenagers are the best asset of any country.
Showing posts with label theoneminutesjr. Show all posts
Showing posts with label theoneminutesjr. Show all posts
Tuesday, June 03, 2008
Thursday, May 15, 2008
StrangerFestival Deadline
Today was one of those days when I ended up running up and down the office and having too hasty discussions with my colleagues. Reason: the deadline for uploads for the international StrangerFestival competition. By midnight tonight, people need to upload their videos at www.strangerfestival.com in order to take part in the competition for the AudienceAward, MTV Stranger Award and StrangerAward. Come and vote for your favourite at www.strangerfestival.com.
Over the last weeks we in the team have been going through the entries in order to make a preselection for a jury of media students who are going to help us on Saturday selecting the best of the best to be sent out to the juries. I have seen some really amazing stuff.
This video by Nanda is one of the most powerful I have seen. Please take 60 seconds to watch it. More to follow in the coming weeks.
Over the last weeks we in the team have been going through the entries in order to make a preselection for a jury of media students who are going to help us on Saturday selecting the best of the best to be sent out to the juries. I have seen some really amazing stuff.
This video by Nanda is one of the most powerful I have seen. Please take 60 seconds to watch it. More to follow in the coming weeks.
Sunday, May 11, 2008
Deadline on Thursday
StrangerFestival deadline for video entries is next Thursday. We are all quite curious to see the number and quality of the pool of entries. But I don´t feel like there is any need to worry with videos such as this from Congo.
Saturday, February 23, 2008
Top of the class
Working with video and youth, you get to see a lot of good stuff. But there are very few videos that would beat Francis Luke Wasser from Dublin and his video 24/7. Have a look. This makes me think of a basic premise of the Demos research we have commissioned around StrangerFestival: these are not expressions of who they are but these cultural expressions are tools for becoming who they will be.
Sunday, November 11, 2007
On Violence
I am writing this post at Brussels airport. It’s 10.30 on Friday morning and I have been awake already for six hours. These are situations where one realises the difference in being thirty and twenty. I must say that I have never been as happy for seeing the Starbucks sign as 5.30 this morning at Vienna airport.
I attended yesterday in Vienna a meeting for European online media initiatives such as Eurozine, OpenDemocracy, signandsight.com and Transitions Online. The discussion during the day was on what counts as a European issue. However, during the evening we found ourselves discussing once again in the national roles – as a German, as a Finn, as an Austrian, as a Swede.
Yesterday morning I had once again a realisation that I do live outside my own country. As I was brushing my teeth I had BBC World on which covered extensively the riots in Georgia. In the ticker running on the bottom of the screen I noticed one headline saying:”Teenager shoots seven others and a teacher in Finland”. I stopped brushing and just waited to see it again. ”But something like that cannot happen in Finland. I must have seen wrong”, was my immediate reaction. I texted a friend of mine and my sister and in a minute, my sister called me back.
My first reaction was anger. Why the hell things like this happen? How can someone at that age hate the world so much that he sees killing other people as a resolution? In the discussions during the day I got the full picture. I still could not get over the anger but it was coupled with immense sadness. This morning I checked the website of Helsingin Sanomat again. My anger grew when reading news about fansites for the killers. What the hell is wrong with the way we perceive humanity and violence? I could not help thinking about the speech Robert Kennedy gave over violence.
I am at the airport waiting for teenagers flying over from countries ranging from Turkmenistan to Denmark for the annual The One Minutes Festival. These are people of the same age as the perpetrator and the victims – filled with optimism and talent. What went wrong in Jokela?
When these school shootings have happened in the US, the reaction in the European media has often been that this could never happen in Europe. Europe still has a tendency for a rather arrogant way of defining its values and traditions with a cherry-picking method. Even taking into consideration the role of the European Union as a successful peace project, we are a violent continent. In that sense the tragic incident which happened in Jokela is a European experience which needs joint discussion on how we perceive violence and guns.
--
Addition on Sunday evening: do get a good picture of what the winning oneminutesjr videos were like, check these:
Joseph Fadel: Flow (Lebanon)
Palvan Geldinysh: Rakyp (Turkmenistan)
Jakunze Fiston: Je m’exprime (Burundi)
I attended yesterday in Vienna a meeting for European online media initiatives such as Eurozine, OpenDemocracy, signandsight.com and Transitions Online. The discussion during the day was on what counts as a European issue. However, during the evening we found ourselves discussing once again in the national roles – as a German, as a Finn, as an Austrian, as a Swede.
Yesterday morning I had once again a realisation that I do live outside my own country. As I was brushing my teeth I had BBC World on which covered extensively the riots in Georgia. In the ticker running on the bottom of the screen I noticed one headline saying:”Teenager shoots seven others and a teacher in Finland”. I stopped brushing and just waited to see it again. ”But something like that cannot happen in Finland. I must have seen wrong”, was my immediate reaction. I texted a friend of mine and my sister and in a minute, my sister called me back.
My first reaction was anger. Why the hell things like this happen? How can someone at that age hate the world so much that he sees killing other people as a resolution? In the discussions during the day I got the full picture. I still could not get over the anger but it was coupled with immense sadness. This morning I checked the website of Helsingin Sanomat again. My anger grew when reading news about fansites for the killers. What the hell is wrong with the way we perceive humanity and violence? I could not help thinking about the speech Robert Kennedy gave over violence.
I am at the airport waiting for teenagers flying over from countries ranging from Turkmenistan to Denmark for the annual The One Minutes Festival. These are people of the same age as the perpetrator and the victims – filled with optimism and talent. What went wrong in Jokela?
When these school shootings have happened in the US, the reaction in the European media has often been that this could never happen in Europe. Europe still has a tendency for a rather arrogant way of defining its values and traditions with a cherry-picking method. Even taking into consideration the role of the European Union as a successful peace project, we are a violent continent. In that sense the tragic incident which happened in Jokela is a European experience which needs joint discussion on how we perceive violence and guns.
--
Addition on Sunday evening: do get a good picture of what the winning oneminutesjr videos were like, check these:
Joseph Fadel: Flow (Lebanon)
Palvan Geldinysh: Rakyp (Turkmenistan)
Jakunze Fiston: Je m’exprime (Burundi)
Friday, June 15, 2007
Family affairs and other stuff
So a week of work done. Lately I have basically lost the difference between weekends and weekdays due to work-related trips. Tomorrow I am off to Istanbul with a colleague of mine to have a meeting with the public broadcasters that collaborate with us on theoneminutesjr project. Istanbul is my favourite city in the world so I am not complaining.
It has been a relatively good week altogether. I started from London with a visionary discussion on higher education and continued for Tuesday and Wednesday in Helsinki for meetings and a oneminutesjr workshop and on Thursday flew back to Amsterdam.
Our team grew on Thursday as our intern started. She seems great and will definitely help us in daily work as well as in brainstorming.
I think I have written about this before but it does not hurt to say the obvious: I have a great family. I realised it once again when I saw them for two evenings in Helsinki. Apart from being dear to me, they are also humane and good people. Having worked with orphans and people who have lost their families in civil wars, sometimes it is good to remind yourself that these things should not be taken for granted. My homies are fab folks.
My nephew has started walking which is funny to observe. He seems to have a healthy (un-Finnish) self-esteem because he trusts his still slightly wobbly feet a bit too much. You hear a stomp every too minutes but when you turn to see if he hurt himself, he is already on his way to new dangers. Funny dude.
It has been a relatively good week altogether. I started from London with a visionary discussion on higher education and continued for Tuesday and Wednesday in Helsinki for meetings and a oneminutesjr workshop and on Thursday flew back to Amsterdam.
Our team grew on Thursday as our intern started. She seems great and will definitely help us in daily work as well as in brainstorming.
I think I have written about this before but it does not hurt to say the obvious: I have a great family. I realised it once again when I saw them for two evenings in Helsinki. Apart from being dear to me, they are also humane and good people. Having worked with orphans and people who have lost their families in civil wars, sometimes it is good to remind yourself that these things should not be taken for granted. My homies are fab folks.
My nephew has started walking which is funny to observe. He seems to have a healthy (un-Finnish) self-esteem because he trusts his still slightly wobbly feet a bit too much. You hear a stomp every too minutes but when you turn to see if he hurt himself, he is already on his way to new dangers. Funny dude.
Saturday, May 26, 2007
Release The Stars
Today has been a good day. After having a second brilliant session with the design students in Zürich, I made my way to the airport with the new Rufus Wainwright CD in my iPod. Sunny streets and his flirtatiously clever voice in my head was just the ultimate start for the weekend. And just to make my sister jealous I need to mention the perfectly salty crispy bretzel at the railway station.
By the way the Zürich airport is quite an experience. I would dare to name it as the most impressive airport I have seen. The share amount of empty space, the size of the airport compared to the size of the city (only like 300.000 inhabitants) and the fact that the airport is completely spotless all support an image of a city quite comfortable with its prosperity.
In our second session today with the students we focused on self-representation, migration and contextualisation. We compared for instance presenting a video on one's own MySpace site and on YouTube which is much less contextualised. The longest discussion was on "the story" behind a video of a teenager girl shaking her ass in her bedroom to 50 Cent's openly sexist song Candy Shop. The group slightly divided between those who did not see a reason to worry and those seeing signs of a lack of parental control.
After watching a lot of oneminutes, hip hop videos and parkour videos we dived into the question whether there are differences in the visual languages based on the teenagers ethnicity or nationality. My own gut feeling is that the differences are much more on subjects and in the tone of communication but the visual structure follows relatively unified paths.
I also got a question on why we do not indicate on theoneminutesjr website whether the maker is for instance an asylum seeker or an orphan or belonging to a cultural minority in a country. My answer was that we give the context of youth but after that it is up to the young maker to decide which particles of their identity their wish to highlight in their video. I have lobbied and will keep on lobbying for strategies where young people - whether or not with an immigrant background - are allowed to choose the communities they wish to attach to.
By the way the Zürich airport is quite an experience. I would dare to name it as the most impressive airport I have seen. The share amount of empty space, the size of the airport compared to the size of the city (only like 300.000 inhabitants) and the fact that the airport is completely spotless all support an image of a city quite comfortable with its prosperity.
In our second session today with the students we focused on self-representation, migration and contextualisation. We compared for instance presenting a video on one's own MySpace site and on YouTube which is much less contextualised. The longest discussion was on "the story" behind a video of a teenager girl shaking her ass in her bedroom to 50 Cent's openly sexist song Candy Shop. The group slightly divided between those who did not see a reason to worry and those seeing signs of a lack of parental control.
After watching a lot of oneminutes, hip hop videos and parkour videos we dived into the question whether there are differences in the visual languages based on the teenagers ethnicity or nationality. My own gut feeling is that the differences are much more on subjects and in the tone of communication but the visual structure follows relatively unified paths.
I also got a question on why we do not indicate on theoneminutesjr website whether the maker is for instance an asylum seeker or an orphan or belonging to a cultural minority in a country. My answer was that we give the context of youth but after that it is up to the young maker to decide which particles of their identity their wish to highlight in their video. I have lobbied and will keep on lobbying for strategies where young people - whether or not with an immigrant background - are allowed to choose the communities they wish to attach to.
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