The Dutch magazine Volume has published an article of mine on how the logic and networks of youth cultures provide an inspiring model for European cooperation. Volume is an independent quarterly for architecture to go beyond itself and is a cooperation between:
Archis Foundation, Amsterdam
AMO, Rotterdam
C-LAB, Columbia University New York
First time I made it to a cover of a magazine. Here´s a teaser on the article:
"Several youth cultures show how difference can be a prerequisite rather than an obstacle to interaction. By giving serious attention to interaction practices in transnational youth cultures we could actually find answers to many of the diversity problems with which Europe currently struggles."
Volume can be bought from selected bookstores:
Amazon
NAI Publishers
Bruil
Archis
Showing posts with label henry jenkins. Show all posts
Showing posts with label henry jenkins. Show all posts
Wednesday, April 15, 2009
Wednesday, March 04, 2009
Minorities in the Media
"One is tempted to argue that African-Americans (and other minorities) enjoy greater opportunities to communicate beyond their own communities now than ever before. But we need to be careful in making that claim. Recent research suggests that there are far fewer minority characters on prime time network television shows this season than there were five years ago. There remains an enormous ratings gap between white and black Americans: the highest rating shows among black Americans often are among the lowest rated shows among white Americans. The exception, curiously enough, are reality television programs, like American Idol, which historically have had mixed race casts.
We've seen some increased visibility of black journalists and commentators throughout the 2008 campaign season -- and they may remain on the air throughout an Obama administration -- but we need to watch to make sure that they do not fade into the background again. But, if we follow your argument, even those figures who make it into the mainstream media are, at best, relaying critiques and discourses which originate within the black community and at worse, they are involved in a process of self-censorship which makes them an imperfect vehicle for those messages.
The paradox of race and media may be that black Americans have lost access to many of the institutions and practices which sustained them during an era of segregation without achieving the benefits promised by a more "integrated" media environment. And that makes this a moment of risk -- as well as opportunity -- for minority Americans.
I suspect we are over-stating the problem in some ways. There are certainly some serious constraints on minority participation in cyberspace but a world of networked publics also does offer some opportunities for younger African-Americans to deliberate together and form opinion, which we need to explore more fully here."
In the quote above, MIT Professor Henry Jenkins brings together the two issues that I am focusing on at the moment: future of media and diversity. Jenkins upholds his reputation as a critical, academic but enthusiastic researcher. In his blog, Jenkins is currently engaged in a debate on the future of African Americans communities online with Dayna Cunningham, the Executive Director of the Community Innovators Lab at MIT. In her first post, Cunningham described how the black voice is disappearing from the media sphere:
"However, I would argue that today, black politics has largely been reduced to the electoral and legislative spheres; African American media too often promote black celebrity and individual advancement, and along with much of the black civic infrastructure, rarely focus on freedom discourse as a means of exploring strategies for collective political action and accountability to black interests. Perhaps only the Church has survived as an independent space for black voice--and even the Church is sometimes compromised by "prosperity gospel" preachers who have little time for freedom discourse."
Jenkins answers well to the concerns expressed by Cunningham and acknowledges the risks posed by the fact that online it is very difficult to contain ideas in a certain context. There are still two chapters to follow in their discussion, I recommend staying alert.
We've seen some increased visibility of black journalists and commentators throughout the 2008 campaign season -- and they may remain on the air throughout an Obama administration -- but we need to watch to make sure that they do not fade into the background again. But, if we follow your argument, even those figures who make it into the mainstream media are, at best, relaying critiques and discourses which originate within the black community and at worse, they are involved in a process of self-censorship which makes them an imperfect vehicle for those messages.
The paradox of race and media may be that black Americans have lost access to many of the institutions and practices which sustained them during an era of segregation without achieving the benefits promised by a more "integrated" media environment. And that makes this a moment of risk -- as well as opportunity -- for minority Americans.
I suspect we are over-stating the problem in some ways. There are certainly some serious constraints on minority participation in cyberspace but a world of networked publics also does offer some opportunities for younger African-Americans to deliberate together and form opinion, which we need to explore more fully here."
In the quote above, MIT Professor Henry Jenkins brings together the two issues that I am focusing on at the moment: future of media and diversity. Jenkins upholds his reputation as a critical, academic but enthusiastic researcher. In his blog, Jenkins is currently engaged in a debate on the future of African Americans communities online with Dayna Cunningham, the Executive Director of the Community Innovators Lab at MIT. In her first post, Cunningham described how the black voice is disappearing from the media sphere:
"However, I would argue that today, black politics has largely been reduced to the electoral and legislative spheres; African American media too often promote black celebrity and individual advancement, and along with much of the black civic infrastructure, rarely focus on freedom discourse as a means of exploring strategies for collective political action and accountability to black interests. Perhaps only the Church has survived as an independent space for black voice--and even the Church is sometimes compromised by "prosperity gospel" preachers who have little time for freedom discourse."
Jenkins answers well to the concerns expressed by Cunningham and acknowledges the risks posed by the fact that online it is very difficult to contain ideas in a certain context. There are still two chapters to follow in their discussion, I recommend staying alert.
Sunday, April 20, 2008
Sunny Jenkins
This was not how it was supposed to work. On Thursday I left the office energetic to prepare for the next day's evening with my team members. I had invited them over for casual dinner and drinks. My idea was also to use some of the evening for preparing for my lecture next Saturday in Geneva. After Friday I had planned an active Saturday of studying, shopping and so forth.
Well, as I got back from work on Thursday it was clear that the flu had caught me. And it came over like a flood. By the hour it only got worse and by the evening it was evident that the next day would be ruined. Before two I could not get up from bed as my head was pounding. I had to cancel the party planned a month back which sucked big time. In the end I ended up staying home also most of Saturday as I still felt relatively weak.
My weekend was however saved by two things: Professor Henry Jenkins and a sunny Sunday. Jenkins is MIT's Professor of Comparative Media Studies and writes phenomenally and in an entertaining manner on popular culture, fans, convergence of old and new media as well as media education. He has a critical but not cynical take on media, he admits being a fan of popular culture and he provides suggestions for improvements. I also like the fact that he often consciously looks at phenomena from the point of view of the viewer. His research on how Americans watch American Idol socially is awesome. Highly recommend his book Convergence Culture. Here I also need to thank Daniel and Celia for leading me to his literature.
The weather does not need explanation apart from pointing out that I am sure everyone knows how it feels when you get outside after being ill. Superman is back! Seriously, you feel reborn. I felt so energetic that we ended up discussing the European Dream for five hours on a terrace. It functioned as a good training camp for a debate in Stockholm on Thursday on the very existence of European culture.
Well, as I got back from work on Thursday it was clear that the flu had caught me. And it came over like a flood. By the hour it only got worse and by the evening it was evident that the next day would be ruined. Before two I could not get up from bed as my head was pounding. I had to cancel the party planned a month back which sucked big time. In the end I ended up staying home also most of Saturday as I still felt relatively weak.
My weekend was however saved by two things: Professor Henry Jenkins and a sunny Sunday. Jenkins is MIT's Professor of Comparative Media Studies and writes phenomenally and in an entertaining manner on popular culture, fans, convergence of old and new media as well as media education. He has a critical but not cynical take on media, he admits being a fan of popular culture and he provides suggestions for improvements. I also like the fact that he often consciously looks at phenomena from the point of view of the viewer. His research on how Americans watch American Idol socially is awesome. Highly recommend his book Convergence Culture. Here I also need to thank Daniel and Celia for leading me to his literature.
The weather does not need explanation apart from pointing out that I am sure everyone knows how it feels when you get outside after being ill. Superman is back! Seriously, you feel reborn. I felt so energetic that we ended up discussing the European Dream for five hours on a terrace. It functioned as a good training camp for a debate in Stockholm on Thursday on the very existence of European culture.
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